If you lean toward a no-line multifocal lens for yourself, the ever-evolving progressive lenses may be a good choice. Yet, while the last two are choices assuming you want an alternate strength in your lenses to see objects, numerous multifocal lenses are planned with a noticeable line isolating the different regions. This incorporates a solitary vision lens with one power or strength over the whole lens or a bifocal lens with different powers and magnification over the whole lens. This is a six-voice piece for an a capella choir, with great vocal demands and extension, but very friendly, close and even fun for the public.Eyeglasses arrive in an assortment of types. This is a piece with a Latin mass structure, but that from the start evokes a multitude of colours, melodies, rhythms and atmospheres of international folklore. In Mulieribus ends with Folk Mass by the Latvian, Laura Jekobsone. It is a work for a female choir, piano and accordion, which in addition to the Latin text includes some Basque texts about motherhood written by the composer herself.
The Stabat Mater from the Basque author Eva Ugalde was specifically composed for this project. This is a four-part piece that includes various Requiem texts and is dedicated to the four elements present in the landscape of the Canadian West Coast: water, mountains, wind and sky. It is followed by Sanctum by the Canadian composer Sarah Quartel. The concert opens with the Ave Maria by the British author Cecilia McDowald, a beautiful motet for a female choir that highlights the brave use of dissonance and harmonic shocks. It presents a selection of works of great complexity and size, composed by four contemporary composers of great relevance in the international choral scene. The In mulieribus program is a proposal of choral music written by and for women.
There is no Rose pretende por tanto ser un canto a la vida, a la ilusión y la esperanza ante la renovación de un ciclo, quizás hasta una metáfora para dejar atrás este último año de tragedia y enfermadas y renacer fortalecidas ante un futuro lleno de nuevos estímulos e ilusiones. Por ello encargó al compositor vasco Xabier Sarasola una pieza escrita expresamente para este proyecto, una suite para coro femenino y arpa que tomara como inspiración la famosa obra de Britten, suite a la que Sarasola ha llamado Urtats Elur.Įl programa del concierto se completa con Vier Gesänge Op.17, una exquisita colección de cuatro canciones para coro femenino, arpa y dos trompas del compositor alemán Johannes Brahms. Un solemne canto procesional que inicia y cierra la obra contribuye a crear una metáfora musical del ciclo vital, el eterno retorno y el equilibrio entre muerte y vida.Īl abordar esta emblemática pieza, Vocalia Taldea quiso complementarla con algo único, nuevo. Las nueve partes de esta pieza dibujan paisajes en los que el coro y el arpa transitan desde la alegría por la llegada del año nuevo hasta la fría y oscura noche de invierno, pasando por la batalla contra Satanás que supone el nacimiento del niño Dios. Se trata de un canto a la vida ante la llegada del Mesías, cuajado de ritmos diversos, sencillas melodías y un punto de nostalgia.
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Download the dossierĮl núcleo central del programa lo forma la suite A Ceremony of Carols del compositor británico Benjamin Britten. Vocalia Taldea interprets this musical repertoire in collaboration with young organist Oscar Rodríguez Pastora and Bizkay soprano Nerea González. Arnesen composed his Magnificat with the idea to be interpreted in the cathedral of Nidaros, the most boreal Gothic cathedral considered one of the principal historical monuments of Norway, even possessing the status of cultural icon. Poulenc wrote his first sacred work, Litanies à la Vierge Noire, as a response to the strong impression caused in him by entering the Notre Dame of Rocamadour. 39 after visiting the Trinita dei Monti church in Rome and being profoundly moved by listening the singing voices of monks celebrating their religious service. Mendelssohn composed his collection of Drei Motetten op.
This new musical repertoire of Vocalia Taldea connects three beautiful pieces of sacred music for women's choir and pipe organ.Īll of the three pieces were composed for specific churches or cathedrals, or better said, they were created after the composers got to know the cathedrals and were profoundly impacted by them.
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